{"id":1605,"date":"2025-11-13T19:32:15","date_gmt":"2025-11-13T19:32:15","guid":{"rendered":"https:\/\/eduhaber.net.tr\/?p=1605"},"modified":"2025-11-13T19:32:15","modified_gmt":"2025-11-13T19:32:15","slug":"cumhuriyetin-muzik-seruveni","status":"publish","type":"post","link":"https:\/\/eduhaber.net.tr\/index.php\/2025\/11\/13\/cumhuriyetin-muzik-seruveni\/","title":{"rendered":"Cumhuriyet\u2019in M\u00fczik Ser\u00fcveni"},"content":{"rendered":"

\u0130n\u00f6n\u00fc Vakf\u0131, T\u00fcrkiye’nin 2. Cumhurba\u015fkan\u0131 \u0130smet \u0130n\u00f6n\u00fc<\/strong>\u2019n\u00fcn evi Pembe K\u00f6\u015fk<\/strong>\u2019te \u201cMavilim\u2019den Yunus Emre Oratoryosu\u2019na: Cumhuriyet\u2019in Ba\u015fkentinde M\u00fczi\u011fin Ser\u00fcveni\u201d<\/em> sergisine ev sahipli\u011fi yap\u0131yor.<\/p>\n

\u0130n\u00f6n\u00fc Vakf\u0131 Ba\u015fkan\u0131 ve \u0130n\u00f6n\u00fc\u2019n\u00fcn k\u0131z\u0131 \u00d6zden Toker<\/strong>\u2019in ev sahipli\u011finde, Filiz Gencer<\/strong>\u2019in k\u00fcrat\u00f6rl\u00fc\u011f\u00fcndeki sergi ziyaret\u00e7ilere kap\u0131lar\u0131n\u0131 a\u00e7t\u0131.<\/p>\n

Sergi, Osmanl\u0131\u2019dan devral\u0131nan k\u00fclt\u00fcr miras\u0131n\u0131n Cumhuriyet\u2019e aktar\u0131lmas\u0131 s\u00fcrecinden ba\u015flayarak, Atat\u00fcrk\u2019\u00fcn ulusal m\u00fczi\u011fi evrensel d\u00fczeye getirmek i\u00e7in ba\u015flatt\u0131\u011f\u0131 m\u00fczik devriminin<\/strong> izini belgeler ve ki\u015fisel e\u015fyalarla anlat\u0131yor.<\/p>\n

Cumhuriyet\u2019in ilk d\u00f6nemlerinde izlenen m\u00fczik ve sanat politikalar\u0131, yap\u0131lan kurumsal d\u00fczenlemeler, etkinlikler ve bu yolda hizmet veren ki\u015filer tan\u0131t\u0131l\u0131yor.<\/p>\n

Sergide aileye ait \u00f6zel e\u015fyalar da sanatseverlerin ilgisine sunuldu. Bu eserlerden en dikkat \u00e7ekeni, \u0130smet Pa\u015fa<\/strong>\u2019n\u0131n ve e\u015fi Mevhibe \u0130n\u00f6n\u00fc<\/strong>\u2019n\u00fcn 1930\u2019lu y\u0131llarda Cebeci\u2019deki Musiki Muallim Mektebi Konservatuvar\u0131<\/strong> binas\u0131n\u0131n salonunda klasik m\u00fczik konserleri dinlerken kulland\u0131klar\u0131 berjer koltuklar<\/strong> oldu.<\/p>\n

Burada verilen konserlerin en devaml\u0131 izleyicilerinden biri olan \u0130smet Pa\u015fa\u2019n\u0131n, her iki kula\u011f\u0131nda da otoskleroza ba\u011fl\u0131 mikst tip i\u015fitme kayb\u0131 bulundu\u011fundan konserleri rahat izleyebilmesi i\u00e7in 1930\u2019larda kendisi i\u00e7in \u00f6zel bir koltuk yapt\u0131r\u0131lm\u0131\u015ft\u0131.<\/p>\n

1948\u2019de \u0130n\u00f6n\u00fc Sanat Arma\u011fan\u0131<\/strong> yar\u0131\u015fmas\u0131n\u0131 m\u00fczik kategorisinde \u201cYunus Emre Oratoryosu\u201d<\/em> ile kazanan besteci Ahmet Adnan Saygun<\/strong>\u2019a verilen diploma da ilk kez sergileniyor.<\/p>\n

\u201cYunus Emre Oratoryosu\u201d<\/em>, \u0130n\u00f6n\u00fc Sanat Arma\u011fan\u0131\u2019n\u0131 m\u00fczik dal\u0131nda alan ilk ve tek eser<\/strong> olarak m\u00fczik tarihine ge\u00e7ti.<\/p>\n

\n

\u0130smet Pa\u015fa\u2019n\u0131n Yemen Sava\u015f\u0131\u2019nda Ba\u015flayan M\u00fczik \u0130lgisi<\/strong><\/h3>\n

AA muhabirine a\u00e7\u0131klama yapan \u0130n\u00f6n\u00fc Vakf\u0131 Ba\u015fkan\u0131 \u00d6zden Toker, T\u00fcrkiye Cumhuriyeti\u2019nin 102. y\u0131l\u0131 dolay\u0131s\u0131yla d\u00fczenlenen serginin, her zaman oldu\u011fu gibi Cumhuriyet ink\u0131laplar\u0131na \u0131\u015f\u0131k tuttu\u011funu s\u00f6yledi.<\/p>\n

Gazi Mustafa Kemal Atat\u00fcrk\u2019\u00fcn devrimlerinin aile i\u00e7inde ya\u015fat\u0131lmas\u0131n\u0131n \u00f6nemine vurgu yapan Toker, \u015f\u00f6yle konu\u015ftu:<\/p>\n

\n

\u201c\u00c7\u00fcnk\u00fc Atat\u00fcrk\u2019\u00fcn istedi\u011fi buydu; devrimlerin aile i\u00e7inde ya\u015fanmas\u0131 laz\u0131m. Ancak o zaman yerle\u015fir, o zaman devrim olur, benimsenir.\u201d<\/p>\n<\/blockquote>\n

Toker, Cumhuriyet\u2019in m\u00fczik devriminin de kendi ailelerinde ya\u015fand\u0131\u011f\u0131n\u0131 belirterek \u015funlar\u0131 s\u00f6yledi:<\/p>\n

\n

\u201cBabam m\u00fczi\u011fe \u00e7ok merakl\u0131yd\u0131. Kendisi daha gen\u00e7 bir subayken, Osmanl\u0131 d\u00f6neminde Yemen\u2019de bir isyan \u00e7\u0131k\u0131yor. Ahmet \u0130zzet Pa\u015fa komutanl\u0131\u011f\u0131nda isyan\u0131 bast\u0131rmak i\u00e7in Yemen\u2019e yollan\u0131yor. O da yan\u0131na tan\u0131mad\u0131\u011f\u0131 fakat uzaktan \u015f\u00f6hretini duydu\u011fu Edirneli gen\u00e7 bir T\u00fcrk subay\u0131 \u0130smet Bey\u2019i \u00e7a\u011f\u0131r\u0131yor. Orada sand\u0131klar, kasalar buluyorlar. Onlar\u0131 a\u00e7\u0131nca i\u00e7lerinden kocaman bir gramofon ve ta\u015f plaklar \u00e7\u0131k\u0131yor. B\u00f6ylece klasik m\u00fczikle, d\u00fcnya m\u00fczi\u011fiyle ilk ili\u015fkileri bu gen\u00e7 subaylar\u0131n orada oluyor.\u201d<\/p>\n<\/blockquote>\n

Bu deneyimin babas\u0131nda bir tutkuya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc anlatan Toker, anne ve babas\u0131n\u0131n 1916\u2019da \u0130stanbul\u2019da evlendi\u011fini, ancak k\u0131sa s\u00fcre sonra babas\u0131n\u0131n cepheye gitti\u011fini kaydetti.<\/p>\n

\n

\u201cBabam, cepheye giderken anneme ald\u0131\u011f\u0131 ilk veda hediyesi duvar piyanosu gibi bir piyano oluyor. Ona bir hoca tutuyor ve aralar\u0131nda mektupla\u015fma ba\u015fl\u0131yor. Babam cephede, annem \u0130stanbul\u2019da. Babam mektuplar\u0131nda anneme hangi eserleri \u00e7ald\u0131\u011f\u0131n\u0131, \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 soruyor. M\u00fczi\u011fe ilgilerini sava\u015f d\u00f6neminde bile devam ettiriyorlar.\u201d<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"

\u0130n\u00f6n\u00fc Vakf\u0131, T\u00fcrkiye’nin 2. Cumhurba\u015fkan\u0131 \u0130smet \u0130n\u00f6n\u00fc\u2019n\u00fcn evi Pembe K\u00f6\u015fk\u2019te \u201cMavilim\u2019den Yunus Emre Oratoryosu\u2019na: Cumhuriyet\u2019in Ba\u015fkentinde...<\/p>\n","protected":false},"author":1,"featured_media":1607,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"manset":[],"class_list":["post-1605","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel"],"_links":{"self":[{"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/posts\/1605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/comments?post=1605"}],"version-history":[{"count":1,"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/posts\/1605\/revisions"}],"predecessor-version":[{"id":1608,"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/posts\/1605\/revisions\/1608"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/media\/1607"}],"wp:attachment":[{"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/media?parent=1605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/categories?post=1605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/tags?post=1605"},{"taxonomy":"manset","embeddable":true,"href":"https:\/\/eduhaber.net.tr\/index.php\/wp-json\/wp\/v2\/manset?post=1605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}